Exhibition spotlighting the legacy of Marin Getaldić, Croatian mathematician ahead of his time
11 – 26 June 2026
From 11 to 26 June 2026, the National and University Library in Zagreb (NSK) will be hosting Marin Getaldić – 400 years later, an exhibition dedicated to Croatia’s greatest mathematician and physicist and the pride of Dubrovnik.
Prepared in consideration of the fact that while Getaldić’s name is widely known among the Croatian public, the exact extent of his contribution to science is still insufficiently recognised, the exhibition has been organised as another chapter of the Library’s cooperation with the Croatian Academy of Sciences and Arts (HAZU) on the Academy’s project aimed at the popularisation of the greatest scholars in Croatian history (Upoznajmo hrvatsku znanstvenu baštinu).
Bringing Getaldić’s life and legacy closer to modern audiences
Authored by the Academy’s Scientific Adviser and head of the project Dr Marijana Borić, the exhibition presents Getaldić’s life and intellectual legacy not only to researchers but also to the general public, particularly wishing to reach the younger generations. Along with experts from several fields, artists also took part in the exhibition’s preparation, which synergy has produced a display offering interactive and multimedia content bringing Getaldić closer to the audience in a dynamic and interesting way.
In addition to Getaldić’s works and selected academic and popular resources thematising his life and accomplishments, the exhibition visitors will also be able to see the instruments that he used in his research. As a particularly valuable part of the display, they bear witness to Getaldić’s basing his analyses in physics on conducting experiments and mathematical methods and in this way heralding the modern approach to research in the natural sciences.
The achievements of an outstanding scholar – from a perspective of art
The exhibited items additionally highlight the connection of math and physics which made the methodological core of Getaldić’s research and represented a marked departure from the research methods characteristic of the Renaissance.
The exhibition also brings a unique interpretation of Getaldić’s life and work from a perspective of art, featuring the first busts of Getaldić and other artwork inspired by his biography and achievements, owing to which the greats of science such as Galileo, Paolo Sarpi and Christopher Clavius referred to him in their works.